Wilding speaks to us about forms that are continuously developing under a stoical surface that recognises body and matter as the primary state of knowledge. The artist maintains a complex relationship with form that shouldn’t mislead us: the sensuality of her work and its reticence is loaded with the material that shapes civilisations and myths.

The selection of prints comprised in this presentation focuses on 4 groups of work dating between 2001 - 2010: Chamber Works, 2010 (published in collaboration with the Karsten Schubert Gallery in London), Species, 2005, Dogs, 2005 (a suite of large-scale etching and monotypes), as well as Vanish & Detail, 2001 (cat. Alison Wilding: Vanish & Detail, published by Ridinghouse, 2014).