This online viewing room titled Janet Fish: Master Screenprints from Stewart & Stewart includes all ten editioned prints the artist created in residence at the Stewart & Stewart print workshop in Bloomfield Hills, Michigan, between 1991-1996, including a fine art print commission for the Detroit Institute of Arts in 1996 titled Treille. These ten screenprints are especially important as they incorporate the exclusive use of transparent inks, which provided the artist a vast range of achieved colors much like those Fish has masterfully used in her watercolor paintings. As author of The Prints of Janet Fish–A Catalogue Raisonné (1997), Linda Konheim Kramer observed: “Fish harbored a prejudice against screenprinting because of its history as a reproductive medium, and did not like the look of the flat, opaque colors usually associated with it. Norman Stewart, a master printer and an artist, convinced her to try the method of screenprinting he had devised, which utilizes transparent inks that offer a wide range of color possibilities and eliminates the heavy surface she found displeasing.” For each of these ten screenprints, Janet Fish created all the progressive color separations after much color testing between each transparent color printing.