top of page

Marc Rosen Fine Art, Ltd.

Pablo Picasso: A selection of subjects from the deluxe edition of the Suite Vollard

Pablo Picasso: A selection of subjects from the deluxe edition of the Suite Vollard

Marc Rosen Fine Art specializes in prints that have not previously been offered for sale.

After Ambroise Vollard’s death, the distinguished French dealer, Henri M. Petiet, acquired all of the works on paper from the Vollard estate, including the entire edition of Picasso’s Suite Vollard, and the comprehensive collection of works Mary Cassatt that she sold to Vollard in the early years of the 20th century.

Because of our long relationship with the Petiet family, we offer an extraordinary opportunity to acquire works from the original stock of Ambroise Vollard, including uncirculated prints from both the regular and deluxe editions of the Suite Vollard, as well as works by Mary Cassatt, and a selection of prints by French artists of the Impressionist era, all in original, fresh condition.

Image Credit:

Pablo Picasso: MINOTAURE AVEUGLE GUIDÉ PAR UNE FILETTE DANS LA NUIT, 1934

LE REPOS DU SCULPTEUR, IV

Pablo Picasso

1933

Plate 7 5/8 x 10 ½ in., Sheet c. 15 ¼ x 19 7/8 in.

Etching

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

Ref. Bloch 174; Geiser/Baer 327; S.V. 65

Pablo Picasso

SCULPTEUR ET MODÈLE AGENOUILLÉ

1933

Plate 14 ½ x 11 ¾ in., Sheet c. 19 7/8 x 15 1/4 in.

Etching

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 178; Geiser/Baer 331; S.V. 69

Pablo Picasso LE REPOS DU SCULPTEUR, IV, 1933

SCÈNE BACCHIQUE AU MINOTAURE

Pablo Picasso

1933

Plate 11 ¾ x 14 ½ in., Sheet c. 15 ¼ x 19 7/8 in.

Etching

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 192; Geiser/Baer 351; S.V. 85

Pablo Picasso

MINOTAURE, BUVEUR ET FEMMES

1933

Plate 11 ¾ x 14 3/8 in., Sheet c. 15 ¼ x 19 7/8 in.

Drypoint, etching, scraper and burin

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 200; Geiser/Baer 368; S.V. 92

Pablo Picasso SCULPTEUR ET MODÈLE AGENOUILLÉ, 1933

MINOTAURE CARESSANT UNE DORMEUSE

Pablo Picasso

1933

Plate 11 ¾ x 14 ½ in., Sheet c. 15 ¼ x 19 7/8 in.

Drypoint

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 201; Geiser/Baer 369; S.V. 93

Pablo Picasso

QUATRE FEMMES NUES ET TÊTE SCULPTÉE

1934

Plate 8 ¾ x 12 3/8 in.
Sheet c. 15 ¼ x 19 7/8 in.

Etching

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 219; Geiser/Baer 424; S.V. 82

Pablo Picasso SCÈNE BACCHIQUE AU MINOTAURE, 1933

MINOTAURE AVEUGLE GUIDÉ PAR UNE FILETTE DANS LA NUIT

Pablo Picasso

1934

Plate 9 ¾ x 13 ¾ in., Sheet c. 15 ¼ x 19 7/8 in.

Aquatint, scraper, drypoint and burin

from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 225; Geiser/Baer 437; S.V. 97

Pablo Picasso

GARÇON ET DORMEUSE À LA CHANDELLE

1934

Plate 9 3/8 x 11 ¾ in.
Sheet c. 15 ¼ x 19 7/8 in.

Etching, scraper, burin and aquatint, from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 226; Geiser/Baer 440; S.V. 26

TAUREAU AILÉ CONTEMPLÉ PAR QUATRE ENFANTS

Pablo Picasso

1934

Plate 9 3/8 x 11 ¾ in., Sheet c. 15 ¼ x 19 7/8 in

Etching

References: Bloch 229; Geiser/Baer 444; S.V. 13

Pablo Picasso

FAUNE DÉVOILANT UNE FEMME

1934

Plate 12 ½ x 16 3/8 in., Sheet c. 15 ¼ x 19 7/8 in.

Aquatint, scraper and burin, from the Suite Vollard, signed in pencil, from the deluxe edition of 50 (total edition 310)

References: Bloch 230; Baer 609; S.V. 27

Pablo Ruiz Picasso
(1881 – 1973)

The relationship between Picasso and art dealer, Ambroise Vollard began in Paris in 1901, when Vollard gave the artist his first one-man show.

The Suite Vollard, one of the greatest print projects of the 20th century, began early in 1934, when Picasso wanted to buy a Renoir and a Cézanne from Vollard. They agreed to exchange a body of the artist’s works on copper for the two paintings. Eventually, the suite grew to 100 works in a wide range of etching and engraving techniques, encompassing some of Picasso’s most significant themes (artist and model, the battle of love, the minotaur).

Selected catalogue references:
Georges Bloch, Pablo Picasso – Catalogue de l’oeuvre gravé et lithographié 1904 – 1967, Berne, Editions Kornfeld et Klipstein, 1968, Vol. I
Brigitte Baer, Picasso Peintre-Graveur (Suite aux catalogues de Bernhard Geiser), Berne, Editions Kornfeld, 1990 – 1996, Vols. I – VII
Bolliger, Hans, Picasso’s Vollard Suite, New York, Thames & Hudson, 1985, and reprints.
(The subjects are arranged thematically and assigned “S.V.” numbers.)

Full Biography
Curriculum Vitae

Get in touch with

Marc Rosen Fine Art, Ltd.

New York, NY

Member Logo 2022.png

212-535-5283

or

bottom of page