Long-Sharp Gallery
Warhol’s 1950’s Printmaking: The Blotted Line

Warhol’s 1950’s Printmaking: The Blotted Line
Andy Warhol
Andy Warhol was a pioneer in many ways, including his renowned innovation with screenprinting in the early 1960s. His foray into printmaking, however, started a decade earlier and can even be traced to his college days in the late 1940s. Evidence of this is apparent in his “blotted line” drawings from the 1950s.
Warhol’s use of the blotted line technique, where one fresh heavily inked drawing is pressed against a blank sheet of paper to create a corresponding image, is similar to letter press or etching in that the reproductions are made from an inked single source (plate).
Warhol went beyond this. Each next inked impression was often altered, with the addition of line, composition, or color, to create the next work in its journey to finality. Compiled here are a rare group of dual impressions (all adhered by Warhol) that illustrate his early printmaking.
Each work was in the artist’s possession upon his passing (and thus bears the stamp of his estate), was then authenticated by the Andy Warhol Authentication Board (stamped), and was archived with The Andy Warhol Foundation for the Visual Arts (The Foundation). The Foundation’s archive number for each work is written by hand on the back of the work.
Image Credit:
In the Bottom of My Garden Study Drawing © Andy Warhol
Lady with Fan
Andy Warhol
Circa 1954
Size: 14.875 x 21.625 in (37.8 x 54.9 cm); Frame size: 19.5 x 23.5 in (49.5 x 59.7 cm)
Ink on paper, two attached sheets and double-sided
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
32,500 USD
Andy Warhol
In the Bottom of My Garden Study Drawing
Circa 1955
Size: 14.25 x 22.625 in (36.2 x 57.5 cm); Frame size: 27.5 x 33.5 in (69.8 x 80 cm)
Ink, graphite and Dr. Martin’s Aniline Dye on paper (two sheets)
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
45,000 USD

Roses (Detail) © Andy Warhol
Flowers
Andy Warhol
Circa 1956
Size: 28.625 x 22.625 in (72.7 x 57.5 cm); Frame size: 33.875 x 43 in (86 x 109.2 cm)
Ink on paper, two attached sheets
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
32,500 USD
Andy Warhol
Untitled (Star Design)
Circa 1956
Size: 38.25 x 28.5 in (97.1 x 72.4 cm)
Ink and tempera on paper
Estate of Andy Warhol (stamped), The Andy Warhol Foundation for the Visual Arts (stamped), Long-Sharp Gallery
Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into the Foundation archive.
42,500 USD

Accessory (Detail) © Andy Warhol
Roses
