Paul Stolper
Brian Eno 2025 Unique Etchings

Untitled
Brian Eno
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Brian Eno
Untitled
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890

Brian Eno 'Untitled' 2025
Untitled
Brian Eno
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Brian Eno
Untitled
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890

Brian Eno 'Untitled' 2025
Untitled
Brian Eno
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Brian Eno
Untitled
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890

Brian Eno 'Untitled' 2025
Untitled
Brian Eno
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Brian Eno
Untitled
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Untitled
Brian Eno
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Brian Eno
Untitled
2025
65 x 65 cm
Etching on Somerset Velvet 400gsm, with deckled edges
Signed and dated on verso
$ 5,890
Brian Eno (B. 1948) is a British artist, musician, producer, and activist living and working in London.
"Since my first experiments with light and sound in the late 1960's, I’ve never ceased to be fascinated by the amazingly intricate, complex and unpredictable results produced by simple deterministic systems. Out of simplicity, complexity arises. That is for me the most incredible idea of evolution theory and of cybernetics. John Cage once said: 'The function of Art is to imitate Nature in her manner of operation' and that has been an objective for me throughout my working life.
I use the same sorts of generative processes in music as in painting, based on overlapping unsynchronised cycles. Several overlapping light cycles will keep producing different colour balances and blends - and different shadow formations that slowly evolve and never exactly repeat. The process is simple. The results are complex.
I started using light and video because I wanted to make visual experiences that had some of the qualities of musical experiences - that’s to say, that existed and changed in time. I wanted to make very slowly changing paintings, to blur the edges that separate those different forms."
Lives and works in London
Get in touch with
Paul Stolper
Paul Stolper, 31 Museum St, London WC1A 1LH

020 7580 7001
or