Galerie Henze & Ketterer
Erich Heckel and his Muses
Erich Heckel and his Muses
Erich Heckel
From girlfriends, companions, dancers, actresses to casual acquaintances: In the graphic work of Erich Heckel, a woman is often at the centre. The female body inspired Heckel to create woodcuts, lithographs and etchings, in which he found inspiration for motif and style. Heckel captured his models in various snapshots, showing bathers on the beach, resting in front of a patterned background, a clothed woman in nature or portraits. They all testify to the artist's intense engagement with the theme of femininity - one of the oldest motifs in art - and its translation into modernity. The deliberately angular, rough and reduced contours as well as the dissolution of the perspective of the captured models are regarded as a consistent continuation of the painterly achievements that Heckel developed as a founding member of BRÜCKE. Together with Ernst Ludwig Kirchner, Fritz Bleyl and Karl Schmidt-Rottluff, he rebelled against rigid bourgeois traditions and found in the female, liberated nude a metaphor for breaking away from conventions. In the direct depiction of his portrayed muse, in the closeness and directness of her human expression, Heckel seems to capture in an explicitly unadorned way a portrait of woman and femininity in modernity. Decades later, the viewer still seems to be immersed in the emotional world and innermost being of the portrayed muse, to share the moment with her directly - the graphic work of Erich Heckel thus counts as an extraordinarily strong result of German Expressionism.
(Susanne Kirchner)
Image Credit:
Erich Heckel, Kind und nackte Frau (Child and Nude Woman), 1910, Oil on canvas, 69 x 79,7 cm, Hüneke 1911-15.
What we [Brücke-artists] had to remove ourselves from [the German bourgeois mores] was clear; where we were heading was certainly less clear.
Quote of Heckel in: Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010; as cited in Claire Louise Albiez.
Drei Mädchen am Strand (Three Girls at the Beach)
Erich Heckel
1919
29,7 x 25 on 37,5 x 30 cm.
Etching on strong slightly grey Japan paper.
Private collection
One of only a few prints pulled by the artist. Signed and dated on the lower right. Titled and dated on the lower left edge of the paper.
12.500 CHF
Erich Heckel
A.N. (Asta Nielsen / Frau A. N.)
1919
46,3 x 30,3 on 61,3 x 51,5 cm.
Woodcut on chamois handmade paper.
Private collection
One of 40 prints of the edition. Signed and dated on the lower right, dated on the lower left. With handwritten address of the printer F. Voigt on the lower left.
18.000 CHF
Erich Heckel, Mädchen am Meer (Girl at the Sea) (Detail), 1918, Woodcut.
Erich Heckel, Copyright: sammlungziegler.de
Erich Heckel, Drei Mädchen am Strand (Three Girls at the Beach) (Detail), 1919, Etching.
Erich Heckel (1883-1970) is one of the most important painters and graphic artists of German Expressionism. The self-taught artist was a co-founder of the artists' association "Die Brücke" in Dresden and its organizer. After developing Expressionism in the form of the "Brücke style" (around 1909/10) together with Ernst Ludwig Kirchner, Karl Schmidt-Rottluff and Max Pechstein, he moved to Berlin in 1911. With his paintings and prints, especially woodcuts, he shaped the avant-garde before the First World War.
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